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Movie Title: Kirikou and the Sorceress Kirikou and the Sorceress is available for streaming or downloading. |
This is a astounding movie that follows the adventures of Kirikou, a precocious infant who saves his village, outwits his foes, and befriends all. Born into a village apparently cursed by the Sorceress Karaba, Kirikou sets out to undo her mischief and understand the reason for her unpleasant. Like Kate Dicamillo’s character Despereaux, Kirikou is a hero who belies his petite stature, using it to his advantage with brash bravado. While many of the themes – overcoming obstacles, how propoganda can be mature to oppress – are universal, there is a obvious flavor of African memoir and folk-tale. That being said, I am not obvious if this is an authentic folk-tale, or impartial a well-crafted imitation of one. Either map, it is appetizing.
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In terms of the animation, dialog, and music, everything is qualified. There is a miniature disparity between the english-language track and the english subtitles, though nothing distracting. One brand on the animation: this film is authentic to its region in Africa. That is, young children are drawn nude, and women topless. Thus, this is an authentic depiction of people of a situation – reflect National Geographic, if you have no other reference. Thus, if natural, non-titillating depictions of semi-nudity gain you uneasy (particularly if watching with your children), then you might want to pre-view this one first. That being said, there is nothing sexy here – Sailor Moon is far more over the top.
In summary, I feel that this is an reliable film and highly recommend viewing it.
This is a extraordinary film, that can be enjoyed equally by parents and children. Kirikou is a puny and precocious boy who never lets prejudice regain in the contrivance of his fierce determination to protect his people from an gross sorceress. He is driven by curiosity and courage but also admits his gain feelings of vulnerability; he is a amazing example to children, a distinguished more compelling hero than most of the whiny characters that dominate most Hollywood animation. Whether or not it is a stale folktale, it captures the feel of many of the African folk legends I have heard, and depicts a vibrant culture that is both suffused with ordinary magic and yet deeply human. The animation of this comical and touching film is both simple and delicious, a perfect match for the legend.
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What is perhaps most engrossing is that it is an example of the kind of epic so prevalent among folk legends that indicate how old-fashioned societies are aware of the dangers of fixed traditions and inaugurate to the possibility of recent ideas. There is a longstanding prejudice within cultures based on change and “progress” that conventional cultures are backwards and unable to accommodate appropriate change — in this fable (and in fact in many broken-down folk stories), this plight is faced and dealt with from an internal standpoint — in other words, this anecdote is about how change can be accommodated within aged societies and how such change can be encouraged by veteran storytelling, and that such change does not require a rejection of tradition. Criticisms of dogmatism are embraced within this anecdote, that depicts many of the tribal people as resisting inquiry and assuming they already know what is best even when their faded methods of trying to defeat the enemy in battle are no longer working. The wise persons of this anecdote are the young Kirikou — too young to pick he already knows how things work and how to solve problems, and young enough to ask questions and be willing to learn from one who will actually retort his questions rather than merely brush them aside — and his wise grandfather — who, it is critical, has left the village to live by himself on the mountain. It is also necessary that the young Kirikou’s main quest is not to defeat the gross sorceress but to understand what has made her outrageous. It is only by concept (and even empathizing with) the enemy that he can defeat her –an valuable lesson even for our possess petrified times, paunchy of ignorance and of the arrogance that assumes war (and the resistance of change even where the area quo is unsettling) is the only solution to incomprehensible threats. At its heart, this is a epic about how the villagers learn to obtain current wisdom, from the mouth of a child and of an elder who has gone beyond status-seeking pride.
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